E.A. Strout Realty NJ Property Listing 1936 Burlington Co. Letter & Farm Land
Further research into J.G. Cheney and the subsequent fate of the property could unlock even greater insights into the community of Tabernacle.
Further research into J.G. Cheney and the subsequent fate of the property could unlock even greater insights into the community of Tabernacle.
The reverse side presents an unprinted surface, indicating its probable use as a standalone devotional image rather than part of a bifold prayer card.
The Sacred Heart is prominently displayed at the cross’s center, radiating a sense of divine love and compassion. The card’s color palette, dominated by muted beige, cream, and light browns, lends it an antique feel, while subtle touches of color accentuate the Sacred Heart and floral details.
The interior pages, though not fully visible in the cover image, contain the printed program of works, including Schubert’s Allegro moderato, Andante, and Allegro, and Carl Maria von Weber’s “Aufforderung zum Tanz” (Invitation to the Dance), a staple of the Romantic piano repertoire.
The title page indicates the regulations were effective April 16, 1935, placing this artifact squarely within the mid-1930s, a period of significant labor organization and codification of working rules under the New Deal’s National Industrial Recovery Act and the subsequent Railway Labor Act.
A nice touch is the Wide World Maps and MORE! imprint, which feels like a friendly nod from the past.
The card’s design reflects the aesthetic sensibilities of the era, characterized by ornate typography that was prevalent in German greeting cards of the 1940s. (Dear, good Grandpa! ).
The restrained typography and lack of publisher identification reflect the utilitarian nature of such cards, which prioritized affordability and widespread distribution over artistic elaboration. The card’s modest wear patterns suggest it was carried or displayed as intended, bearing subtle witness to generations of personal prayer rituals.
The typography throughout is a mix of refined serif typefaces for the formal banking information and cleaner, more modern sans-serif fonts for the instructional text, a contrast that highlights the tension between traditional financial gravitas and the forward-looking appeal of international travel.
No insignia on uniforms.